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Ann Arbor: University of Michigan Press. Ian Chilvers and Harold Osborne (Eds.), The Oxford Dictionary of Art Oxford University Press, 1997 (second version), p. Rich was in attendance, along with Alfred Barr, the Museum of Modern Art director. On St. Patrick's Day, Edward and Jo Hopper attended the opening of an exhibit of the paintings of Henri Rousseau at New York's Museum of Modern Art, which had been organized by Daniel Catton Rich, the director Vape Store of the Art Institute of Chicago.

This work was featured on one hundred Great Paintings. Evidently, strapping a fistful of energy on the trunk isn’t sufficient to supply an ideal racing boat: there’s engineering to opt for the excess. Moss determined that Hopper must be taken at his phrase: the painting was merely "steered" by an actual-life restaurant, he had "simplified the scene an incredible deal", and he "made the restaurant greater". Hopper himself said the painting "was steered by a restaurant on Greenwich Avenue the place two streets meet".

Nighthawks influenced the "future noir" look of Blade Runner; director Ridley Scott mentioned "I was consistently waving a reproduction of this painting below the noses of the manufacturing workforce as an example the look and mood I used to be after". In Glengarry Glen Ross (1992), vapeeven two characters visit a café resembling the diner in a scene that illustrates their solitude and despair. The sunshine coming from the diner illuminates a darkened and Vape Clearance deserted urban streetscape.

Hopper was an acknowledged influence on the movie musical Pennies from Heaven (1981), for vapor store which production designer Ken Adam recreated Nighthawks as a set.